T to Z

Terms from "tag" to "XML".

• Tag. A reference's handle in a prompt, @image1 to @imageN in media order. Video with Seedance → Attaching references

• Take. One generated result of a shot, judged against the treatment, anchors and plan, never a storyboard. Video with Seedance → Take selection and review

• Take log (your take log). Your record of every attempt, kept or not, written before the next one runs. Planning, budgets and takes → Your take log

• Templates A to F. The fill-in Seedance prompts: A, B and D in Video with Seedance → Templates A, B and D; C, E and F in Speaking shots and lip sync → Templates C, E and F.

• Tempo map. The locked guide track's measured BPM, bar grid, section starts and hit points, written into your shot plan in frames. Music → The music-first route

• Texture once. One grain per film, applied once after the look and every picture check. The grade and texture → Texture once

• Three layers. Every sound comes from the shot's own sound, real recordings or designed effects. Sound design and mix → Three layers and the order of the sound work

• Three texts per line. The canonical line, the engine text and, for the Franco quote only, the Franco line. Voice and Arabic dialects → Three texts per line

• Timing gate. Route 1's working numbers: span within ±5%; pauses and the emphatic beat within ±3 frames. Speaking shots and lip sync → Route 1, for close-up hero lines

• "Too perfect" tells. The signs a correct take still reads as generated, each with its first fix. Making it feel real → The "too perfect" tells

• Treatment. The film decided in words and pictures, the third client document: the brief restated, the scenes, every department, the casting and the storyboard. Writing the treatment → The order of work

• Trigger. What starts, changes or ends a camera move. Camera and lens → The trigger

• True peak. See dBTP. Sound design and mix → Loudness: −23 TV, −16 online, −14 short social

• UGC. User-generated content: ads styled as a creator's own phone video. Genres → UGC and selfie

• Usual AI defaults. The looks generated work drifts to; each needs a written decision in the treatment. Making it feel real → The usual AI defaults to avoid

• VFX (visual effects). Picture added or changed after the shot, such as an insert composited into a live plate. Video with Seedance → The six start-frame cases

• VO (voiceover). A voice heard over the picture from off screen, a narrator's or a character's. Voice and Arabic dialects → Voice takes and the delivered file

• Walla. Crowd murmur. Arabic murmur comes from real CC0 recordings or recorded voices, never Seedance (decided). Video with Seedance → Sound inside the shot

• WCAG (Web Content Accessibility Guidelines). Here, the contrast ratios client pages meet: 4.5:1 for body text, 3:1 for large text. Client presentations → Type, colour and the phone

• Wear with a history. Wear written as the result of a life; never on the client's product. Making it feel real → Skin, make-up and wear with a history

• "White" Arabic. A pan-Arab read built from casting plus pan-Arab wording; no engine offers one. Voice and Arabic dialects → Cast the dialect, don't prompt it

• Window (the window). Time planned in whole frames: a shot's slot, or the part of a take that plays. Planning, budgets and takes → Timing, grouping and trimming

• World rules. Three to five rules every department obeys, so the one planned break lands. Writing the treatment → World rules and the planned break

• XML. Here, the editable timeline file exported from Premiere (Final Cut Pro XML), with every asset and the earlier takes beneath. Editing → The editable timeline