The Master Guide / 04 The treatment and presentations · Client presentations
The anchors presentation, in its twelve sections
One presentation of every approved anchor, sent before any production video. It confirms; it adds no new creative.
One presentation of every approved anchor, sent before any production video. It confirms; it adds no new creative.
The twelve sections (decided), in this order:
Cover.
What you approved: the whole film in a single line, plus the story strip.
What you will receive, for the client to confirm: the durations, ratios, languages and dialects, cut-downs and the delivery date.
The world in one line.
Characters.
Voices.
Locations.
Product and how it is handled.
Props.
Colour and light.
Words on screen and the end card.
Next steps, the approval line and credits.
The layout [proven]:
Every sheet shown whole, at its own ratio, never cut into panels: the exact image the video model receives. Beside it, its name, its wardrobe look or state, and one line of 25 words or fewer. Plain names on chips ("Teta Samia, floral house dress"), never codes.
Character pages set the identity close-up and the film-light casting still beside the sheet, so the client reads a person, not a diagram. No sheet is remade just for the client.
Product: the sheet in its hero states in story order, the label exact and the product always pristine (see Photoreal anchors (Nano Banana Pro) → Products and labels), and how it is handled (which hand, how it opens, how it looks in use). Hero props at true scale against a hand or the set.
Voices, in their own section: each speaking character beside a small portrait, reading the film's actual lines in the scene's emotion, the scene named, an inline player, the line written beneath in «…». Samples level-matched to the online target, −16 LUFS (loudness units relative to full scale; see Sound design and mix → Loudness: −23 TV, −16 online, −14 short social).
Only samples accepted under the dialect rules appear (see The brief and research → Dialect rules): a Saudi or Gulf line still waiting for its native reviewer never reaches this page.
Seedance's own voice. Option: use it when a principal line is in English or another language Seedance speaks well, and you choose it for the project [proven]; never for Arabic (decided). Where you chose it, its sample plays here for the client to approve like a recorded voice (see Speaking shots and lip sync → English lines and Seedance's own voice).
Words on screen and the end card, set live in the real fonts, letter for letter.
Chosen anchors only. No A/B/C options; alternates only where you decide to show them on a named item. Never: start or end frames, attempts, prompts, model names, sheet codes or costs.
The approval line on the close: "When you approve these, the film is made with exactly these people, voices, places and products." The same request goes in the cover message.
How the anchors are made: Photoreal anchors (Nano Banana Pro) → What an anchor is.
Sources
This Guide's own layout, drawn from benchmark decks; no outside source.